Wircested Art Museym Salisbury and Lancaster Rd Worcester Ma
 Salisbury Street facade | |
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| Established | 1898 (1898) |
|---|---|
| Location | 55 Salisbury Street Worcester, Massachusetts |
| Coordinates | 42°xvi′23″N 71°48′07″West / 42.273007°North 71.802029°W / 42.273007; -71.802029 |
| Type | Art museum |
| Managing director | Matthias Waschek[1] |
| Architect | Stephen C. Earle |
| Public transit admission | MBTA Framingham/Worcester Line  |
| Website | Worcester Fine art Museum |
The Worcester Fine art Museum, also known by its acronym WAM, houses over 38,000 works of art dating from antiquity to the present mean solar day and representing cultures from all over the world. WAM opened in 1898 in Worcester, Massachusetts, and ranks among the more important art museums of its kind in the nation. Its holdings include some of the finest Roman mosaics in the United States, outstanding European and American art, and a major drove of Japanese prints. Since acquiring the John Woodman Higgins Armory Collection in 2013, WAM is also home to the second largest collection of artillery and armor in the Americas.[two] In many areas, it was at the forefront in the U.s.a., notably equally it collected architecture (the Chapter House, 1932),[3] acquired paintings by Monet (1910) and Gauguin (1921),[4] presented photography as an art form (1904).[v] The Worcester Fine art Museum besides has a conservation lab[6] and year-round studio art plan for adults and youth.[7]
History [edit]
In September 1896, Stephen Salisbury 3 and a group of his friends founded the Art Museum Corporation to build an art institution "for the benefit of all." Salisbury and then gave a tract of land, on what was one time the Salisbury farm (at present fronting Salisbury Street in Worcester, Massachusetts), too equally $100,000 USD to construct a building designed by Worcester architect Stephen C. Earle. The museum formally opened in 1898 with the Rev. Daniel Merriman equally its get-go president.[8] [9] The museum'south collection so consisted largely of plaster casts of "antique and Renaissance" sculptures, besides equally a selection of 5,000 Japanese prints, drawings, and books, willed to the museum from John Chandler Bancroft, son of John Bancroft.[8]
In 1905, Stephen Salisbury died and left the bulk of his five million-dollar estate to the museum.[10] The Worcester Art Museum continued to grow and slowly amassed one of the of import fine art collections in the country, with some of the significant early works donated or loaned past the creative person and collector Helen Bigelow Merriman.[9]
Betwixt 1932 and 1939, the Worcester Art Museum joined a consortium of museums and institutions to sponsor expeditions to the archaeological sites where the city of Antioch in one case stood. This grouping of museums, including Princeton University, the Musée du Louvre, the Baltimore Museum of Art, and Harvard Academy's chapter, Dumbarton Oaks, discovered hundreds of intricate flooring mosaics. The Antioch mosaics, every bit they are now known, were separate amid the institutions The WAM received many mosaics including the Worcester Hunt, which is now installed in the Renaissance Court's floor.[11]
On May 17, 1972, the museum suffered a major theft of artwork. Two men wearing masks entered the museum but before closing.[12] [13] The two men stole The Brooding Adult female and Caput of a Woman by Paul Gauguin, Mother and Kid by Pablo Picasso, and St. Bartholomew, then attributed to Rembrandt, a collection of works worth over one million dollars.[14] [xiii] Four individuals were charged with the theft as well as the theft of seven artworks stolen from the Boyden Library at Deerfield Academy.[12]
In 2013, Worcester's Higgins Arsenal Museum airtight its doors and its renowned collection of artillery and armor was integrated into WAM's.[fifteen] [ii] A permanent arms and armor gallery volition open up no subsequently than 2023; in the meantime, major works from the Higgins collection are on view in galleries throughout the museum, alongside Greek, Roman, Asian, and European works of fine art. The museum is also rethinking its institutional narrative, leveraging the quality and depth of the collection to tell a story that is an alternative to those told by other museums in the expanse. The guiding principle for this endeavour is WAM's new mission statement (adopted in 2017): The Worcester Art Museum connects people, communities, and cultures through the experience of fine art.
Architecture [edit]
The Worcester Art Museum started equally a modest three-story building, designed by Stephen Earle and constructed past Messrs. Norcross Brothers, in 1898.[4] Very little of the outside of this original building can be viewed due to the multiple expansions the museum has undertaken.
In 1927, the museum purchased a 12th-century French affiliate house that was originally part of the Benedictine Priory of St. John at Le Bas-Nueil near Poitiers. Installed in 1932, and linked to the museum in 1933 via the one thousand Renaissance Court, the chapter firm was the kickoff medieval edifice ever transported from Europe to America.[thirteen] Decorating the Renaissance Court floor is unequivocally one of Worcester's greatest ancient treasures – a grouping of Antioch mosaics dating from the commencement through the sixth century A.D, which was excavated at Antioch in Syria.
The museum building has expanded several times, in 1940, 1970 (Higgins Education Wing addition), and 1983 (Frances L. Hiatt Wing). The Frances L. Hiatt Wing is designed for special exhibitions; study and storage expanse for prints, drawings, and photographs; and an expanded conservation area. The Higgins Education Wing contains studios and classrooms, a professional printmaking studio, a estimator studio, photography lab, and an exhibition space for student works.
In November 2015, the museum unveiled a new walkway ramp at the Salisbury Street entrance. Designed by Kulapat Yantrasast of wHY Architects, the span-like structure boldly combines contemporary blueprint with the museum's 1933 Beaux-Arts exterior while making the historic chief entrance fully attainable.
Collection [edit]
In addition to the Roman, mosaic-laden, Renaissance court and French chapter house, strengths of the permanent collection include collections of European and N American painting, prints, photographs, and drawings; Asian fine art; Greek and Roman sculpture and mosaics; and Gimmicky art.
European paintings include some Flemish Renaissance paintings, an El Greco, a Rembrandt, and a room of Impressionist and 20th-century works by Monet, Matisse, Renoir, Gauguin, and Kandinsky. The American painting collection includes works by Thomas Cole, Winslow Homer, John Singer Sargent, William Morris Chase, Elizabeth Goodridge, among others. In the 20th-century gallery, the Museum displays works by Franz Kline, Jackson Pollock, and Joan Mitchell.
In 1901, John Chandler Bancroft, a wealthy Bostonian, ancestral more than than iii,000 Japanese prints. The Bancroft Collection spans the history of woodcut printmaking in Nippon, with particular strength in rare, early images from the late 17th and 18th centuries. Salisbury's estate donation included many portraits commissioned by his family, as well every bit sculpture, furniture, and silvery. These works, past artists such as Gilbert Stuart, Thomas Crawford, and Samuel F.B. Morse and the craftsmen Paul Revere, Edward Winslow, and Nathanial Hurd, constituted the nucleus of the American collections.[16]
American Art [edit]
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Freake-Gibbs Painter, Elizabeth Clarke Freake (Mrs. John Freake) and Babe Mary, 1671–1674
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Freake-Gibbs Painter, John Freake, 1671–1674
European Art [edit]
Asian Art [edit]
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Mughal (Basawan), Nascency of Ghazan Khan, from a manuscript of the "Jami'al-Tawarikh" past Rashid al-Din (1247-1318), nigh 1596
Arms and Armor [edit]
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Nagasone Tojiro Mitsumasa, Helmet in the course of a Sea Conch Beat out, 1618
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Stefan Rormoser, Armor for Field and Tilt, of Count Franz von Teuffenbach (1516-1578), 1554
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Workshop of Hans Sumersperger, "Gothic" Hunting Sword, about 1490–1500
Directors [edit]
- Philip T. Gentner 1908–1917
- Raymond Wyer (changed his proper name in 1923 to Raymond Henniker-Heaton) 1918–1925
- George W. Eggers 1926–1930
- Francis Henry Taylor 1931–1939
- Charles H. Sawyer 1940–1947
- Louisa Dresser Campbell (Interim Director) 1943–1946
- George Fifty. Stout 1947–1955
- Francis Henry Taylor 1955–1957
- Daniel Catton Rich 1958–1970
- Richard Stuart Teitz 1970–1981
- Tom 50. Freudenheim 1982–1986
- James A. Welu 1986–2011
- Matthias Waschek 2011 –
Direction [edit]
The Worcester Art Museum operates on a $10M annual budget and is governed by an agile 25-fellow member Board of Trustees, made up of local, national, and international members with expertise in finance, investment, museum management, art history, teaching, and real estate development. In addition, WAM has a 200-member Corporation and over three,000 members and 100 Concern Partners. It employs 65 full-fourth dimension and 128 part-time personnel (including 56 professional artist faculty) and enlists hundreds of volunteers and docents. In November 2017, the Museum was awarded reaccreditation by the American Alliance for Museums.
Prior to condign Director of WAM in 2011, Matthias Waschek, PhD, served as Executive Managing director and Curator of the Pulitzer Arts Foundation (2003–2011) and Head of Academic Programs at the Louvre Museum in Paris (1992–2003).
Special exhibitions [edit]
April ten, 2021 – January 16, 2022 What the Nazis Stole from Richard Neumann (and the search to go it back) [17]
References [edit]
- ^ "New Director Announced". Worcesterart.org. 2014-02-13. Retrieved 2014-06-25 .
- ^ a b Loos, Ted (19 March 2014). "What Comes Next, Subsequently the Troops Are Dismissed" – via NYTimes.com.
- ^ "Worcester Art Museum – Chapter House". www.worcesterart.org.
- ^ "Worcester Fine art Museum – The Brooding Adult female". world wide web.worcesterart.org.
- ^ "Photography at the Worcester Art Museum: Keeping Shadows," by David Acton, copyright 2004 Worcester Art Museum (ISBN 0-936042-10-9)
- ^ "Worcester Art Museum – Conservation at the Worcester Art Museum". www.worcesterart.org.
- ^ "classes". portal.worcesterart.org.
- ^ a b New Art Museum. New York Times. July half-dozen, 1902. Retrieved February 21, 2011
- ^ a b Welu, James. "Helen Bigelow Merriman and the Worcester Fine art Museum". Holy Cross College website.
- ^ Salisbury'southward Bequests. November 21, 1905. Retrieved February 21, 2011
- ^ Worcester Art Museum Restores Border Panels to Worcester Hunt, Largest Antioch Floor Mosaic in America. Worcester Art Museum. Retrieved January 26, 2011
- ^ a b Suspects in Art Theft Face Court on June ane. The Telegraph. May 23, 1972. Retrieved February 21, 2011.
- ^ a b Thieves Take Art Works. Victoria Advocate. May 18, 1972. Retrieved February 21, 2011
- ^ Miner, Bradford. "40 years since heist at Worcester Art Museum". Telegram . Retrieved 25 July 2012.
- ^ Duckett, Richard (8 March 2013). "Higgins Armory Museum to shut after 82 years". Worcester Telegram and Gazette. Retrieved viii March 2013.
- ^ Judith H. Dobrzynski (March 14, 2012), How an Acquisition Fund Burnishes Reputations New York Times.
- ^ "What the Nazis Stole from Richard Neumann (and the search to get information technology back) | Worcester Art Museum". world wide web.worcesterart.org . Retrieved 2021-04-07 .
This exhibition will present 14 paintings and sculptures from the one time extensive art collection of Dr. Richard Neumann (1879-1959), recently reunited following his and his family unit'due south efforts over 75 years to regain possession of them.
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External links [edit]
Media related to Worcester Fine art Museum at Wikimedia Eatables
- Official website
- WAM library at the Net Archive
Source: https://en.wikipedia.org/wiki/Worcester_Art_Museum
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